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和方缘铜工艺品厂
和方缘

 高精铜雕铸造

精雕细琢 匠心独运

坚持专业,专注细腻,高精品质,传承信仰

 

Purba(3 sides)Black Tara Tibetan Buddhist Statue 7-1

优势特点

人物雕塑

人物雕像,头像雕塑,半身像,伟人铜像,写实人物铜像,现代人物雕塑,西方人物雕塑,中国人物雕塑

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动物雕塑

动物铜雕塑,青铜器,大型动物雕塑,小动物铜像,铜马,铜狮子,铜豹子,铜大象摆件,抽象动物铜雕

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佛像雕塑

青铜佛像,仿古铜佛像,贴金佛像,鎏金铜佛像,大型寺庙佛像雕塑,藏传佛教,印度教,尼泊尔小型铜佛像

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铸铜雕塑

青铜器,铜奖杯,青铜鼎,建筑物模型铜雕塑,金饭碗,一桶金家居风水铜工艺品

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定做铜雕

产品从设计到雕塑由资深的工美大师亲自操刀,定做铜雕只需提供图片,制作要求(材质,大小,效果)即可

雕塑缩放服务

采用了最新的3d技术,可任意放大,缩小设计模型,3D打印的应用能快速的实现模型雕塑,制作样品更快更精细

铜雕精密铸造

石膏模失蜡法精密鋳造工艺,使得铜雕作品可展现极其细微的细节,应用更广泛,铜雕制作更精细,效率更高

铜雕上色工艺

拥有全面的铜雕上色技术,可按照要求给铜雕贴金,鎏金,铜雕热着色,彩绘等,以体现铜雕的不同艺术特点

铜雕新品

精密铸造铜雕厂

和方缘是一家技术领先的铜雕铸造厂,专业从事青铜雕塑的铸造和制作,利用最先进的3D工具结合石膏模以及传统的脱蜡法铸造工艺研发了独特的精密铸造工艺流程。3D技术是一种非常有效和非常精确的方式,可以任意放大和缩小雕塑模型,并且对雕塑细节的控制非常完美,使得雕塑具有先天性的精密特质。

和方缘铜雕厂成立于2007年,经过10多年的发展,现已成为16000多平方米的现代化生产基地,员工400多人的大型铜雕生产厂家,拥有强大的设计、服务、销售队伍和制造能力。专业定制批发寺庙铜佛像、动物雕塑、青铜器、青铜雕塑、人物铜雕、艺术铜雕等,提供设计,开发,铸造以及贴金、鎏金、热着色、彩绘全方位的铜雕定做服务。

和方缘一直致力于完美的质量标准和对细节的关注,以及我们在各个领域为客户提供服务的能力,使我们成为中国杰出的青铜雕塑制造商之一。

Tianchan Bronze Sculpture is the premier Bronze foundry serving clients throughout the world. We specialize in bronze sculpture casting and fabrication, using both traditional techniques and state of the art digital tools like as 3D Scaning&3D print.

The Bronze Sculpture Foundry was started in 2007 , now grown to more than 16,000 square meters of modern production base, more than 400 employees, has a strong design, service, sales team and manufacturing capacity.

Our ongoing commitment to unmatched service, impeccable quality standards and attention to detail , along with our ability to serve our clients in a variety of areas, has allowed us to become one of the china preeminent Bronze sculpture manufacturers.

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热门问答

How are bronze sculptures made?

The lost-wax technique is the most common technique for creating bronze figures and sculptures. Though the exact process varies from foundry to foundry, the technique has been relatively standard since its first use in c. 3700 BCE. The artists begins with a model for which a mold is made. A soft material such as silicone is used for the inner mold, which must be malleable enough to produce an exact negative of the original object. The outermold is rigid, often made of plaster. Molten wax is then poured into the mold thinly coating its inner surfaces. After it has cooled the wax is removed from the mold and ‘chased’ – perfected to remove any flaws or evidence of casting – wax rods are added to form channels through which the molten bronze can flow and gas can escape. A rigid cast, again often plaster, is built around the wax mold and the entire object is fired in a kiln. This both solidifies the plaster and melts the wax which drips out of the mold through the channels. This leaves a prefect negative of the artist’s object into which the liquid bronze is poured.
After it is cooled, the casting is removed from its plaster mold, the bronze which formed in place of the wax rods is removed, and the surface is ‘chased’ once more, polished, and sealed. A well-cast bronze sculpture is weatherproof and extremely durable.

What should I look for in a bronze sculpture?

Though Bronze has remained relatively unchanged since the alloy combining copper and tin was first discovered, a sculpture’s quality is still very dependent on how well it is cast. Various defects, such as gas porosity – the formation of bubbles within the cooled casting – or coldfront – the imperfect fusion of two fronts of liquid metal – can affect the alloy’s strength, appearance, and durability. Important things to note when determining the quality of a bronze sculpture include the exactness of the casting to the artist’s model, particularly its surface texture quality and the accuracy of subtle details such as fingers. The patina which develops naturally on the surface of the sculpture can indicate the quality of the alloy used. The color of the patina can vary from reddish to warm brown, green, or even yellow depending on the amount of copper in the alloy. Regardless of its color or whether it is naturally occurring or has been induced with chemical substances, the patina should be even and richlyhued. Particularly thick or dark patinas are often used to hide flaws in lower-quality casting.

什么是铜雕精密铸造?

铜雕制作一般是普遍采用失蜡法和模具法铸造,而深圳天禅所说的精密铸造指的就是石膏模失蜡法铸造,得益于技术的发展,尤其是现代蜡膜工艺的发展和石膏材料在铸造中的应用,石膏模失蜡浇铸法精密铸造还广泛使用于精密零配件铸造,比方说飞机上有很多零件就是采用的失蜡法铸造工艺。

采用石膏模有什么好处呢?石膏模失腊法铸造工艺不同于普通的一次成型沙铸法,沙铸或者硅溶胶失腊法制作铜雕较粗糙,表面的沙洞较多需要后期修复,并且铜雕内部难以清洗干净,往往有较多的残留物;而采用石膏模就不同了,因为生石膏非常细腻,可以根据不同的要求采用不同细腻度的石膏,所以往往用在精密铸造上,比如我们日常带的首饰,机器上的配件等等,所以用石膏模精密鋳造的铜雕表面细腻,纹饰细节精度高,能够最大限度的保留原作的细节和真实性,而且熟石膏溶于水非常好清理,所以用石膏模精密鋳造的铜雕非常干净。

当然工艺也很复杂,要经过十几道制作工序,制作成本远远高于其他铸造法。

铜雕长锈斑了怎么办?教你4种除锈方法

古代铜佛像长绿毛一样的铜锈代表历史的沉淀,有重要的历史和艺术价值,这个不在今天讨论的范围。今天我们讲一下现代铜佛像为什么会长锈斑和如果长了锈斑用什么方法来除锈。

 铜佛像为什么会长锈斑?

用一句话来说铜佛像生锈的原因是因为佛像被酸性物质腐蚀了,所以我们在日常保养和清洁过程中要注意防止铜佛像接触酸性物质做到事前预防。

首先摆放佛像的环境要注意保持干燥和清洁;接触佛像尽量要带上手套,因为汗渍是酸性的;要定期保养清洁铜佛像(如果清洁保养请参照:  铜佛像怎么保养和清洗),以上是我们在日常保养和清洁中要注意的几点,也有情况是因为厂家的问题,由于工艺的原因,有些工厂生产的铜佛像会有蜡没除干净、佛像身上有沙孔、焊接孔等,这些瑕疵会造成在后道处理颜色(镀金、仿古)的时候酸性物质附着在铜佛像上,所以我们在选择铜佛像的时候一定要选择正规大厂,有品牌的产品。

 铜佛像的除锈方法

如果铜佛像长了锈斑,我们有什么简单可行的好方法自己在家里就能给铜佛像除锈呢?除锈方法如下:

一、物理法除锈

如果铜佛像局部的铜锈较严重并产生了体积膨胀,就需要用到电动打磨机,用细细的砂轮打磨,然后在通过喷漆的方法做个保护层,这个方法有破坏性,不推荐,当然最好的办法就是能找个厂家给你表面从新给佛像贴金,鎏金,或者镀金。

二、化学除锈法:

1、如果铜佛像上的锈比较轻,可以把白醋兑水后,放入浸泡,然后取出,用小刷子刷去残锈,再用清水洗净醋液,用软布擦干即可;

2、如果铜锈比较重,就要用醋酸、盐酸除锈,没有经验的人对于酸的浓度掌握不好,所以不可贸然使用。不管是用什么方法,都要先找一小块地方测试一下,以免出问题。

通过以上方法除锈以后,铜佛像表面的色彩肯定是破坏了,不管原来是贴金的,镀金,还是彩绘的,所以最好的方法还是要事前保护好铜佛像,做好铜佛像的日常护理工作。

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